News / Actualités
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Spring 2024

14.04.2024
Special screening : #1 Forêts cachées, #2 La fontaine de Manel, #3 Parler forêt
followed by Q&A. As part of group show De près, au loin... le paysage au point de perception, La Minoterie - espace d’art contemporain, Nay, FR - 01.03.2024—12.05.2024


Article (La République des Pyrénées - Karine Roby)




17.03.2024
Screening : #3 Parler forêt
27e Rencontres Internationales Traverse, In Situ, In Tempore
Les Abattoirs (auditorium), Toulouse, FR




Fall 2023
Workshop in Collège Clermont, Pau, France
Forêt Cinématographique
Production of episode #4










Summer 2023 Artistic Residency, Pyrenees ⛰

Frontières Nomades
At the invitation of accès)s( cultures électroniques (Pau, FR) and of ETOPIA Center for Art and Technology (Zaragoza, ES), to develop the 3rd film of the In Search of Old Growth series.




Screenings :
In Search of Old Growth #3 : Talking Forest


PAU
As part of Festival accès)s(
Cinéma Le Méliès, October 6, 2023





ZARAGOZA
As part of exhibition El mundo es bosque
Etopia, November 2, 2023






Winter 2023
Research, Adirondaks Mountains



Fall 2022
Production of Episode #2 : Manel’s Fountain





"Tandis que le silence s’appuyait à tous les troncs, la voix de la source nous appelait parmi les ombres obliques du soir. “

“L’eau glisse toujours comme si elle tombait d’une étoile. Celui qui s’y penche y retrouve le visage du vieux berger."

— J.-S. Pons, Le Souvenir de Manel (Concert d'été, 1945)


Excerpts (in French) from “Le Souvenir de Manel” written by catalan poet J.-S. Pons. Read by his grandson, painter Sébastien Frère, recorded by filmmaker Claude Mossessian. Sorède, November 2022. Merci à eux !





Summer 2022
Production of Episode #1 : Hidden Forests





«I think if the arts somehow take up this story of kinship, connectivity— the relocation of meaning outward into a shared process of rehabilitation— what seems like a depressive set of sacrifices to very little end could instead begin to be represented as a kind of joyful assertion of purpose: a kind of leverage of diversity and difference that we’ve already begun to undertake in so many other cultural sites.»

— Richard Powers (author of The Overstory), in an interview with Ezra Klein for the NYTimes ︎︎︎